The Bride Walks Out! - A Comedy about Love, Mistaken Identity and the Roaring Twenties!

Do you ever crave a cinematic escape back to a simpler time? A time of flapper dresses, Charleston dances, and witty banter delivered with theatrical flair? Then let me introduce you to “The Bride Walks Out,” a delightful 1935 comedy that stars the incomparable Elsie Ferguson.
This pre-Code gem, directed by the talented Walter Lang, takes us on a whirlwind journey through the vibrant social scene of 1920s New York City. The story revolves around Anne (played with charm and sass by Elsie Ferguson), who is set to marry the wealthy but rather dull Reginald Stanhope.
But just days before their wedding, Anne receives an anonymous letter revealing that Reginald is a notorious womanizer with a penchant for gold diggers! Naturally, Anne is horrified. To add fuel to the fire, she encounters Roger Ashton (played by the dashing Herbert Marshall), who bears a striking resemblance to her fiancé but possesses all the qualities Anne desires: charm, intelligence, and a genuine interest in her as a person rather than her dowry.
Mistaken identity ensues as Anne attempts to expose Reginald’s true character while simultaneously navigating her burgeoning feelings for Roger. The film is a masterclass in comedic timing, with Elsie Ferguson delivering sharp, witty lines with perfect comedic precision.
Her performance is a delightful blend of strength and vulnerability, showcasing Anne’s journey from naïve bride-to-be to a woman who takes charge of her own destiny. Herbert Marshall adds undeniable charm as Roger Ashton, the “other” Reginald, whose sincerity and playful nature capture Anne’s heart.
Let’s delve deeper into some key aspects that make “The Bride Walks Out” such a captivating watch:
1. The Pre-Code Era:
Released in 1935, “The Bride Walks Out” falls squarely within the pre-Code era of Hollywood filmmaking. This period, spanning roughly from 1929 to 1934 (before the Motion Picture Production Code was enforced), allowed for a greater degree of freedom in terms of content and themes.
This resulted in films that were often bolder, more risqué, and explored adult topics with a frankness rarely seen in later productions. “The Bride Walks Out” exemplifies this spirit, touching on themes of infidelity, social climbing, and female empowerment in ways that might surprise viewers accustomed to the stricter moral guidelines of post-Code cinema.
2. A Stellar Cast: Beyond Elsie Ferguson and Herbert Marshall, “The Bride Walks Out” boasts a stellar supporting cast. You’ll encounter:
-
Mary Astor: Playing the cunning and alluring Irene Van Der Lyn, Astor embodies the classic femme fatale, adding a touch of danger and intrigue to the plot.
-
Charles Bickford: As Reginald Stanhope, Bickford masterfully portrays the arrogant and philandering fiancé.
-
Una Merkel: Providing comedic relief as Anne’s sassy best friend, Elsie.
3. The Glamour and Style:
The film is a visual feast, capturing the exuberance and elegance of 1920s New York City. From dazzling evening gowns and cloche hats to opulent champagne parties and luxurious penthouses, “The Bride Walks Out” transports viewers to a world of glamour and sophistication.
4. Themes of Empowerment:
While undeniably entertaining, “The Bride Walks Out” also carries an underlying theme of female empowerment. Anne’s decision to walk away from a loveless marriage and pursue her own happiness was a progressive notion for its time.
Here’s a table summarizing key elements:
Feature | Description |
---|---|
Release Date | 1935 |
Director | Walter Lang |
Starring | Elsie Ferguson, Herbert Marshall, Mary Astor |
Genre | Romantic Comedy |
Setting | New York City, 1920s |
Themes | Love, Betrayal, Mistaken Identity, Empowerment |
“The Bride Walks Out” is more than just a lighthearted rom-com. It’s a snapshot of a bygone era, offering social commentary intertwined with laughter and romance. So, if you’re seeking an escape to a world of flapper dresses, champagne cocktails, and witty banter, I highly recommend giving this delightful film a watch.